Sylvia Mendel - Schemes

  • Title: Sylvia Mendel - Schemes
  • Dimensions: 28x26
  • Materials: Paper and collaged images
  • Primary Medium: Mixed-Media
  • Year Created: 1996-2006
  • Price: $5000.-
NOTE: Curate NYC, Full Spectrum Experience, Inc., the City of New York and the NYC Economic Development Corporation are neither sales agents nor fulfillment providers of any artwork sales at this website; and bear no responsibility for and have no involvement in any business transaction which may take place. The artist-seller and/or their designated representatives are solely responsible for all negotiations, transactions and delivery concerning their artwork


Artwork Description


Schemes is an example of using found materials beyond their original intent to express another intent, often unknown to me till much later. The process of making these pieces is as important as the finished product. "Schemes" is just one example of my work process when using these materials. I discovered architectural blueprints in a garbage bin outside the United Nations in 1996. I stored these on a high closet shelf in a mailing tube, forgot about them till they dropped on my head when I slammed the closet door. I began to fold the blueprints and finished the piece some years later calling it "Schemes" because the architect's blueprints did not - as planned - result in a giant complex in Atlanta. Text in the folds comments that "The best laid schemes o' mice an' men gang aft a-gley" the Scottish poet Robert Burns' reference expressed today as "Man plans and God laughs."

Sylvia Mendel

Sylvia Mendel

War exigencies profoundly influenced my life and work. My folded papers containing images and text are coded journals expressing thoughts that represent the complexity of human beings often unrecognized by in our waking lives. The art I feel compelled to make cannot help but reflect my life in all its complexity - even if I am unaware of how that happens. I hope to seduce viewers to look closely, then subvert them to curiosity about something not previously valued. I find materials and use them beyond their original intent to express another intent not always apparent. The process of making my pieces is as important as the finished product. I might keep found materials for years before incorporating them in a piece. Schemes was a long process. I found architectural blueprints in a garbage bin outside the United Nations in 1996, stored them in a mailing tube, forgot about them till they dropped on my head when I slammed the closet door. I began to fold the blueprints and finished the piece some years later. The pods pictured on my blog are from the honey locust tree. I collect them in the fall and glue papers on them for preservation. They are hung where I can see them and at some time - again it could be years, I cover them with fine art papers on which I have written poems about love and war. I give these as gifts but plan to show them grouped in a bigger piece. With the work "Lysistrata" (on the blog) one of the collage images in the folds - to my mind symbolic of war - is from a 1947 dictionary and shows a figure covered head to toe with bandages. There's humor for me in the excess of the definition. Yet, I have had dreams of war in which I see such figures with blood seeping through the bandages. Thus, irony is in the pieces while the works themselves appeal for other qualities. The title reflects a wish I'd like to make come true. I resist genre placement viewing myself as an outsider for the ways in which history, politics, gender, prejudice and age have shaped my life. http://www.sylviamendel.com/.

Website: www.sylviamendel.com/.

LOGIN TO LEAVE A PUBLIC COMMENT

4 reviews

  • Sylvia Mendel
    Friday, 11 November 2011 08:55 | posted by Sylvia Mendel

    whoops an error I meant to say thanks to Brian Tate for his considerable HELP from someone not too computer savvy.

    This e-mail address is being protected from spambots. You need JavaScript enabled to view it
  • Sylvia Mendel
    Friday, 11 November 2011 08:52 | posted by Sylvia Mendel

    Thanks to Brian Tate for his considerable to someone not too expert with computers. So, can't comment since this is my work. Good luck to all we deserving artists.

    This e-mail address is being protected from spambots. You need JavaScript enabled to view it
  • Sylvia Mendel
    Friday, 11 November 2011 08:37 | posted by Sylvia Mendel

    enter your message here...

    This e-mail address is being protected from spambots. You need JavaScript enabled to view it
  • Sylvia Mendel
    Friday, 11 November 2011 08:37 | posted by Sylvia Mendel

    enter your message here...

    This e-mail address is being protected from spambots. You need JavaScript enabled to view it